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She examines how and why a limited and limiting concept of queer visibility structured around white gay and lesbian characters in committed relationships has become the embodiment of progressive LGBT media representations. Secondarily, the author explores ways in which gay-Jewish playwrights and filmmakers have assisted the re-evaluation of sexual norms within Judaism over the past three decades, inspiring and reinforcing measures across the spectrum of belief geared towards integrating Jewish members of the GLBT community into the overall Jewish historical narrative. Song Hwee Lim is lecturer in world cinemas at the Department of Film Studies, University of Exeter. Through a close reading of the texts of numerous American and Israeli plays and films some famous, but mostly lesser known , the author evaluates some of the key conventions and tropes that have been employed to construct, critique, and reflect the social reality of the connection between Jewishness and gay identity in the United States and Israel. He provides in-depth analyses of key films and auteurs, reading them within contexts as varied as premodern, transgender practice in Chinese theater to postmodern, diasporic forms of sexualities. Examining the politics of representation in the age of multiculturalism through debates about the films, Lim calls for a rethinking of the limits and hegemony of gay liberationist discourse prevalent in current scholarship and film criticism.